(i) You are not entitled to any publications or other licensing rights with respect to musical material that is owned, controlled or provided by the producer, or that is public and that you may use or adapt in connection with the score. John Ravenell`s Exclusivity and Ownership Agreement II The independent filmmaker/producer may enter into a contract with an independent music composer for his/her project. This chord consists of employing a composer who not only composes an original background score, but also plays and plays the music. (c) all remedies, rights, obligations, obligations, obligations and agreements contained in this Agreement are cumulative and none of them is limited to other remedies, rights, obligations, obligations or agreements of either Party. 9. Exemption. (b) Fifty percent (50%) of the wholesale price for each printed copy of each other arrangement and edition of the printed score, published and sold in the United States and Canada by the licensee(s) for which payment has been received by the manufacturer, after deduction of reserves and returns, unless the score is used in whole or in part in combination with one or more other musical compositions in a folio t, album or other output, you are entitled to the share of this royalty that the score bears in the total number of musical compositions contained in such folio, album or other publication. . . .
